Fore, Devin. 2017. The Eye in Matter. Dziga Vertov and Early Soviet Cinema. Madrid: Reina Sofía.

Fore, Devin, and Matthew Witkovsky. 2017. “Introduction”. In Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test. Chicago: Art Institute of Chicago and Yale University Press.

Fore, Devin. 2017. “Social Engineering. On Soviet Organizational Science”. Artforum.

Fore, Devin, and Matthew Witkovsky. 2017. Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test. Chicago: Art Institute of Chicago and Yale University Press.

Fore, Devin. 2017. “Demonstration: The Aesthetics and Noetics of Display”. In Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test, 288-94. Chicago: Art Institute of Chicago and Yale University Press.

Fore, Devin, Brooke Holmes, and Karen Marta. 2017. “Vzryv”. In Liquid Antiquity, 198-201. Athens: Deste Foundation.

Fore, Devin, and Udo Kittelman. 2017. “An Economy of Combined Trivials”. In The Boat Is Leaking. The Captain Lied, 34-42. Milan: Fondazione Prada.

Fore, Devin, Veronika Thanner, Joseph Vogl, and Dorothea Walzer. 2018. “’Aktueller Realismus’. Sowjetische Faktographie Und Die Noetik Der Zeitung”. In Die Wirklichkeit Des Realismus. Munich: Fink Verlag.

Fore, Devin. 2016. “Biopolitics, Identity and the Public Sphere in the 1970s: Oskar Negt and Alexander Kluge (revised and Expanded Version of Introduction to Kluge and Negt, History and Obstinacy)”. In Public Servants: Art and the Crisis of the Common Good. Cambridge, Mass: MIT Press.

Fore, Devin. 2015. “Die Emergenz Der Sowjetischen Faktographie”. Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 89 (3): 376-403.

Fore, Devin. 2006. “Döblin’s Epic: Sense, Document, and the Verbal World Picture”. New German Critique 99: 171-207.

Fore, Devin. 2008. “The Entomic Age”. Grey Room 33: 26-55.

Fore, Devin. 2010. “Between Athlos and Arbeit: Myth, Production, and Cement”. New German Critique 110: 125-52.

Fore, Devin. 2009. “Gegen Den ‘lebendigen Menschen’: Experimentelle Sowjetische Biografik Der 1920er Jahre”. In Geschichte Und Theorie Der Biographie, Ed. Bernhard Fetz .

Fore, Devin. 2010. “Formalism”. In The Encyclopedia of the Novel .

Fore, Devin. 2010. “Dziga Vertov, The First Shoemaker of Soviet Cinema”. Configurations 18 (3): 363-82.

Fore, Devin. 2011. “Un Ensevelissement Sous Les Feuilles: BebuquinII, l’autobiographie De Carl Einstein”. Gradhiva. Revue d’anthropologie Et d’histoire Des Arts 14: 164-83.

Fore, Devin. 2013. “Jenseits Der Einstellung, Hinter Der Szene. Ejzenstein’s Generallinie”. In Synchronisierung Der Künste.

Fore, Devin. 2014. “Kluge and Negt”. October 149: 3-8.

Fore, Devin. 2011. “Review of A Hard Merciless Light: The Worker-Photography Movement, 1926-1939 (Museo Reina Sofia, Madrid)”. Artforum,, no. Summer issue: 398.

Fore, Devin. 2010. “Review of Peter Geimer, Bilder Aus Versehen. Eine Geschichte Fotografischer Erscheinungen”. Texte Zur Kunst 20 (8): 162-65.

Fore, Devin. 2012. “An Interview With Valie Export”. Interview Magazine 42 (7): 268-73. Publisher’s Version: An Interview with Valie Export.

Fore, Devin. 2011. “Conquistar Al Tiempo”. Carta 2: 70-74.

Fore, Devin. 2008. “1825/1936:/Consonances/of/Two/Godunovs/”. Three Oranges 17: 18-19.

Fore, Devin. 2006. “An Interview With Julia Kristeva”. V Magazine 39: 131-32.

Fore, Devin, Alexander Kluge, and Oskar Negt. 2014. History and Obstinacy. New York: Zone Books.

Fore, Devin. 2014. “Introduction”. In History and Obstinacy. New York: Zone Books.

Fore, Devin, and Leslie Adelson. 2013. “Futurity Now”. Special Issue of Germanic Review 88 (2). Publisher’s Version: Futurity Now.

Fore, Devin. 2013. “The Metabiotic State: Dziga Vertov’s The Eleventh Year”. October 145: 3-37.

Fore, Devin. 2006. “The Operative Word in Soviet Factography”. October 118: 95-131.

Fore, Devin. 2012. Realism After Modernism: The Rehumanization of Art and Literature. Cambridge, Mass.: MIT/October Books.